Born November 1, 1943, Bucharest, Romania
United States citizen October 1978
ADDRESS:
EDUCATION:
- DMA in Composition, University of Michigan, 1978. Minor in
Music Theory; related fields: Performance (piano) and
Computer Sciences.
- Studies in Aesthetics at the Universite de Paris VIII,
1971/72.
- Studies in Composition, Bucharest Conservatory, 1967/1971.
- Diploma (MA) in Piano, Bucharest Conservatory, 1967.
EMPLOYMENT AND TEACHING EXPERIENCE:
- Professor, University of Illinois, 1992 - 2021
- Faculty Appointments (Visiting Scientist), Argonne
National Laboratory, 1994 - 2003.
- Master Classes in Computer Music, Gubbio Festival '91,
Gubbio, Italy, July-August 1991.
- Associate Professor with tenure, University of Illinois,
1984/92.
- Assistant Professor, University of Illinois, 1978/84.
Courses taught: Composition (all levels),
Computer Music,
Music Formalization, Computer-assisted Composition, Survey of
the Music and Writings of Iannis Xenakis, Musical Applications
On Supercomputers, Fundamentals of Music Theory, Ear Training,
Baroque Counterpoint, Fugue, Aural Skills, Orchestration,
Graduate Seminar in Music Theory.
- Instructor, Chicago Musical College of Roosevelt University,
1975/78.
Courses taught: Music Theory - Written and
Aural Skills,
Baroque Counterpoint, Form and Analysis, Introduction to Music
Formalization and Computer-assisted Composition, Acoustics,
Composition.
- Graduate Student Teaching Assistant, University of Michigan,
1973/75.
Courses taught: Composition for Non-Music majors.
- Professor, High School for Musical Arts, Bucharest, 1967/70.
Courses taught: Studio Piano, Music History.
- Music Critic for Contemporanul and for Romania Literara
magazines, Bucharest, 1964/71.
ADMINISTRATIVE EXPERIENCE:
- Director, Computer Music Project of the University of
Illinois, 1997 to present.
- Co-manager, Computer Music Project of the University of
Illinois Experimental Music Studios, 1993 to 1997.
- Chairman, Composition-Theory Division, School of Music,
University of Illinois, 1983/1989.
- Advisor for the curriculum in Music and East-European
Studies, University of Illinois, 1982 to 1989
- Co-organizer, 1987 International Computer Music Conference
(11 paper sessions, 15 concerts, over 330 participants).
- Graduate Advisor, Composition-Theory Division, 1981/83.
- Undergraduate Advisor, Composition-Theory Division, 1979/81.
PUBLISHERS:
- Seesaw Music Corporation, New York City.
- Most compositions available from the Computer Music Project
site.
RECORDINGS:
- figer, for computer-generated sounds, on ABLAZE
Records, 2017
- Quilt, for computer-generated sounds on Seamus
Electro-Acoustic Miniatures 2015: Haiku
- CAGE V, for computer-generated sounds on Seamus
Electro-Acoustic Miniatures 2012: Re-Caged
- LilDaria, for computer generated sounds, on the 50th.
ANNIVERSARY OF THE UNIVERSITY OF ILLINOIS EXPERIMENTAL MUSIC STUDIOS
album, 2008.
- Music by Zack Browning and Sever Tipei, compact disc
including: Translation, L'execration du Pere-Mere, Daria, and
decaf, CENTAUR RECORDS Inc., 2007.
- raw cuts: Experimental Music by Sever Tipei, compact
disc including:Many Worlds, Curses, Kings Nap, Portrait...,
Lament, Cantus Interruptus, and ANL-folds, 1998.
- Cuniculi, for five tubas, CENTAUR RECORDS Inc.,
"Computer Music Series, vol 3", 1989.
- Clariphannies, for solo clarinet, VERIATZA 86-1,
"Chamber Music" album, 1986.
- Maiden Voyages, for trumpet, piano and tape,
UNIVERSITY OF ILLINOIS EXPERIMENTAL MUSIC STUDIOS 25th.
ANNIVERSARY album, 1984.
HONORS, AWARDS AND GRANTS:
- Center Affiliate, National Center for Supercomputing Applications (NCSA),
2021 to present.
- Extreme Science and Engineering Discovery Environment (XSEDE)
and Extended Collaborative Suport Services (ECSS)
National Science Foundation grants for Music Composition on
High-Performance Computers, San Diego Supercomputing Center,
2017 to present.
- Faculty Affiliate, National Center for Supercomputing Applications (NCSA),
January 2016 - 2021.
- Invited talk on Introduction to Digital Instrument for Sound
Synthesis and Composition, National Hsinchu University of Education,
Hsinchu, Taiwan, November 2015.
- Guest Composer/Performer, Bucknell University, Lewisburg, PA, April 2015.
- Guest Composer, Huddersfield University, Hudderfield, UK, October 2014.
- Fine and Applied Arts College Creative Research Grant,
Fall 2012.
- Participant in the Fulbright Senior Specialist Program
lecturing on electro-acoustic music and computer music at the National
University of Music at Bucharest, Romania and Academy of Music "Gheorghe
Dima" Cluj-Napoca, March-April, 2012.
- Guest Composer/Performer, Trinity College, Dublin,Ireland, March 2012.
- Guest Composer/Performer, York University, UK, March 2012.
- Guest Composer/Performer, Northern Illinois University, February 2012.
- National Center for Supercomputing Applications/University
of Illinois Faculty Fellow for the academic year 2008-2009.
- Participant in the Fulbright Senior Specialist Program
lecturing on electro-acoustic music and computer music at the National
University of Music at Bucharest, Romania, May-June, 2008.
- Invited Talk on Manifold Compositions,
Academia de Muzica "Gheorghe Dima", Cluj-Napoca, Romania, June 2007.
- Featured on Diaspora Componistica Romaneasca (IV),
an Archeus Ensemble concert dedicared to Sever Tipei and Eugen Wendel,
Bucharest, Romania, June 2007.
- Keynote speaker at the Workshop on Computer Music and Audio
Technology (WOCMAT), National Chiao Tung University, Taiwan, March 2007.
- Associate in the Center for Advanced Study,
University of Illinois, 2006.
- Master class, National University of Music Bucharest, November 2006
- Guest Composer/Performer, University of Wisconsin at Milwaukee,
April 2004.
- Educational Technologies Board, UIUC, grant for WWW
Based Instruction in Composition-Theory, 1998
- SUR (Shared University Resources) IBM grant in
computer equipment for research in digital sound synthesis
and automatic printing of music, 1993.
- Guest Composer/Performer, Michigan State University, May 1993.
- Guest Composer/Performer, Rice University, January 1993.
- Arts International grant to travel to Romania, 1993.
- Guest Composer/Performer, University of Wisconsin at Milwaukee,
April 1992.
- Artist Fellowship Finalist Award, Illinois Arts
Council, November, 1991.
- Associate in the Center for Advanced Study,
University of Illinois, 1991.
- Guest Composer, Juniata College, Huntingdon, PA., Sept. 1991.
- Guest Artist, DANA New Music Festival VII, Youngstown State
University, April 1991.
- Visiting Composer, New York University, March 1991.
- Meet-the-Composer grants, March 1990 (Merkin
Hall, NY, concert), September 1991 (Juniata), Nov. 1980 (New
York University).
- Nominated by the School of Music Committee for the
UIUC Campus Award for Excellence in Undergraduate Teaching,
1989.
- Composer in Residence, University of North Texas, sponsored
by the Center for Experimental Music and Intermedia
and by the National Endowment for the Arts, October
1988.
- Principal Investigator, University of Illinois Research
Board Grants for:
- production of a CD with music by Browning and Tipei,
2004
- Object-oriented Software for Computer-assisted
Composition, 1999;
- development of DIASS, a digital instrument for
additive sound synthesis 1991, 1993, 1994, 1995, 1998;
- development of an Automatic Music Notation program,
1987, 1989;
- equipment for the Computer Music Project, 1984, 1985;
and
- development of MP1, 1984.
- National Center for Supercomputing Applications
grants for the Class of Compositions project, 1986,
1989; and for development of DIASS 1991, 1993.
- EXCEL (IBM Corp.) grant for equipment and for
a research assistant, to introduce microcomputers in the
teaching of Composition and of Music Formalization, 1986.
- Principal Investigator, National Endowment for the
Arts Grant for New Music Centers, enabling
the creation of the Computer Music Project of the School of
Music, University of Illinois, 1984.
- List of Teachers Ranked as Excellent by Their Students
, Fall 1986, Fall 1985, Fall 1982,and Spring 1981.
- Scholarships from Horace H. Rackham School of Graduate
Studies, University of Michigan, 1973, 1974.
- Third place in Zeta Mu Chapter of Phi
Mu Alpha's Annual Composition Contest, Sam Houston
State University, Huntsville, Texas, 1973.
- AMFITEATRU award for Musical Criticism,
Bucharest, 1968.
CONCERTS RECORDINGS BROADCASTS:
- Soloist and participant in chamber music ensembles. Concerts
in the USA, France, Italy, Netherlands, Switzerland, South
Korea, Portugal, Brazil, and Romania, 1962 to present.
- Guest or assisting performer with Ensemble Instrumental
de Musique Contemporaine de Paris, Contemporary
Directions in Ann Arbor, Ars Nova and
Musique Vivante in Paris, New Music Ensemble
in Bowling Green, Ohio, Chicago Chamber Orchestra
, The Atlanta New Music Ensemble and
The
University of Illinois Contemporary Chamber Players.
Performances under the direction of: Konstantine Simonovitch,
Karlheinz Stockhausen, Boris de Vinogradov, Sidney Hodkinson,
Uri Mayer, Paul M. Zonn, Salvatore Martirano, and Vinko Globokar,
1971 to present.
- Featured composer/performer at the: International Week of
New Music festival, Bucharest, Romania, 1992 and 1993,
Music from Almost Yesterday, Milwaukee, Wisconsin,
1992 and 2004,
Annual Festival of the American New Music Consortium
, NYU 1984, 1983, and Atlanta 1982, Roulette Series
, New York City 1982, and Contemporary Music Festival
, Memphis, Tennessee, 1981.
- Lecture/recitals, Composers Forum, New York
University, 1980 and 1994.
- Guest Soloist with The New York University Contemporary
Players at Carnegie Recital Hall, 1978.
- Performances on the 25TH ANNIVERSARY OF THE EXPERIMENTAL
MUSIC STUDIOS OF THE UNIVERSITY OF ILLINOIS album,
1984, on an ORION album with music by Dinu Ghezzo,
1975, and on a BARCLAY - "Inedits" series with music
by Pierre Barbaud, 1972.
- Participant as a member of the Groupe d'Etude et de
Realisations Musicales (GERM) in an Atelier de Creation
, a series of weekly radio shows sponsored by ORTF,
Paris, 1972.
- Recordings for Radio-Television Belge and
Radio Bucharest, 1968/1972.
- Participant as composer and performer in the 7TH
BIENNALE DE PARIS, 1971.
- First auditions in Romania of works by Webern, Bartok,
Serocki, Stockhausen, Boulez, Brown, and John Mizelle, 1962/71.
MUSICAL CRITICISM AND MUSICOLOGY:
- Essay on George Enescu's works
Impressions from Childhood, Chamber Symphony, and
Second Piano Quartet, notes for the Albany Records
CD Troy 1100, January 2009.
- George Enescu and His Opera Oedipe
essay published in the program for the Krannert Center for
Performing Arts American premiere of the opera by Sinfonia
da Camera, October 2005 and in the CD booklet accompanying
the recording of the opera by Sinfonia da Camera on
ALBANY records, December 2006.
- Oedipe's Musical Language, at the Oedipus
and Its Interpretation symposium, Univ. of Illinois at
Urbana-Champaign, october 2005.
- Over 100 essays and criticisms for magazines and
newspapers in Romania and for Romanian publications in exile,
1964 - 1989 (Contemporanul, Romania Literara,
Viata Romaneasca, Amfiteatru, Tomis -- in Romania,
Limite and Ethos, Paris, France
-- publications in exile).
- Guest speaker on WEDT-FM station in Detroit on a program
dedicated to computer music, 1975.
- Broadcasts for and interviews on Radio Free Europe/Radio
Liberty, 1971/89.
- Encounters with Our Century's Music, a weekly
show for Radio Bucharest, 1970/71.
PROFESSIONAL ASSOCIATIONS AND PERFORMING GROUPS:
- SEAMUS (Society for Electr-Acoustic Music in the
United States), 2008 to present.
- Uniunea Compozitorilor si Muzicologilor din Romania,
2007 to present.
- International Computer Music Association,
1981 to present.
- American Composers Alliance, 1981-1994.
- BMI, 1978 to present.
- The University of Illinois Contemporary Chamber
Players, 1978-1984.
- NACUSA - Chicago chapter, 1977-1978.
- College Music Society, 1975-1983.
- BUMA, Composers' Society, Netherlands,
1971-1974.
- GERM, a group dedicated to avant-garde music,
collective improvisations, and orally communicated music,
Paris, 1971-1972.
- Founder of GROUP 3+, dedicated to contemporary
music, Bucharest, 1970-1971.
COMPUTER MUSIC COMPOSITIONS:
- Ghioc, manifold composition for saxophone and
computer generated sounds, 2018.
- Quilt, manifold composition for
computer generated sounds, 2015.
- Big Gizmo, manifold composition for
computer generated sounds, 2015.
- Trans, manifold composition for
computer generated sounds, 2013.
- Caged Voyagers, manifold composition for
computer generated sounds, 2013.
- CAGE V, manifold composition for
computer generated sounds, 2012.
- figer, manifold composition for
computer generated sounds, 2012.
- SEAdecaf, eight channel manifold composition for
computer generated sounds, 2009.
- HB with G & E, manifold composition for
piano and computer generated sounds, 2009.
- Bfast, eight channel manifold composition for
computer generated sounds, 2008.
- Dux Markovians and Trees, for chamber ensemble
and computer generated sounds, commissioned by the Archeus ensemble,
2008
- LilDaria, manifold composition for computer
generated sounds, 2008.
- CLJdaria, manifold composition for computer
generated sounds, 2007.
- ARC-folds 1, 2, and 3 , manifold compositions
for computer generated sounds, 2007.
- Mai Daria, manifold composition for computer
generated sounds, 2007.
- Mai Decaf, manifold composition for computer
generated sounds, 2007.
- ROC decaf, manifold composition for computer
generated sounds, 2007.
- Ianus, for chamber ensemble and computer
generated sounds, commissioned by Ian Hobson and Sinfonia
da Camera, 2006
- decaf, manifold composition for computer
generated sounds, 2006.
- Daria, manifold composition for computer
generated sounds, 2006.
- dARIA, manifold composition for computer
generated sounds, 2004.
- JIEM-folds, 3 manifold compositions for
computer generated sounds, 2002.
- GlassFolds, 12 manifold compositions for
computer generated sounds, 2000.
- ORAT-folds, 3 manifold compositions for
computer generated sounds, 1999.
- EMS-folds, 10 manifold compositions for
dancers and computer generated sounds, commissioned for the
40th. Anniversary of the UIUC Experimental Music Studios,
March 1999.
- CEMI-folds, 3 manifold compositions for
computer generated sounds, 1998
- AA-folds, 7 manifold compositions for
computer generated sounds, 1998
- Berlin-folds, 3 manifold compositions for
computer generated sounds, 1998
- Sonic Residues, 50 manifold compositions for
computer generated sounds, 1997.
- A.N.L.-folds, manifold compositions for
computer generated sounds, 1996 -
- Curses, for male voice, female backup
group and computer-generated sounds, 1996.
- Rice Matters, computer generated
sounds, 1993.
- Aga Matter, for piano and computer
generated sounds, 1992.
- Many Worlds, for percussion ensemble,
1989.
- Cuniculi, for five tubas, 1986.
- Maiden Voyages-II, for trumpet, piano,
three slide projectors, and two channel tape, 1985.
- Maiden Voyages (first version), 1984.
- Clariphannies, for solo clarinet,
commissioned by Jack Kreiselman for his Carnegie Recital
Hall concert, 1980.
- Undulating Michigamme, for soloists
and orchestra, partially generated with MP1, 1977/78.
- Portrait Of The Artist As A Young Woman Killing
Herself With A coup de telephone,
In MI 48105, for four female voices, 1975.
- Les Liaisons Dangereuses, for five
amateurs, 1974.
OTHER SELECTED COMPOSITIONS:
- Jewel Steps Grievance,
for solo female voice, 2011
- L'execration du Pere-Mere par Antonin Artaud,
for soprano, cello, trombone, harp, and percussion, 2002.
- Cantus Interruptus, for baritone and
prepared piano, 1995.
- KingS Nap, for piano solo, 1994
- Memories Of Thoughts Past, for
clarinet, trombone, cello, percussion, and string bass, 1991.
- Quintet For Clarinet And Synthesizers,
1991.
- Ezra Pound'si CANTO CXVI, a
Commentary, for baritone and piano, 1980.
- Lament, for piano solo, 1980.
- Katastrophe, electronic music tape,
1975.
- Happy And..., for voice, toys, and
tape, 1974.
- Reconaissances; Pour Gerard, for a
pianist, commissioned by Gerard Fremy for the 7TH
BIENNALE DE PARIS, 1971.
- Translation, for voice, clarinet
and piano, 1970.
ARTICLES, PAPERS, AND PRESENTATIONS ON COMPUTER MUSIC:
- Using High-Performance Computers to Enable Collaborative and
Interactive Composition with DISSCO with Alan B. Craig
and Paul F. Rodriguez, in Multimodal Technologies and Interaction,
2021, 5, 24.
- Automatic Notation Using Sieves in DISSCO
with Haorong Sun, WOCMAT, December 2019
- Manifold Compositions and the Evolving Entity,
Proc. XXII Generative Art 2019 Conference, Rome, Italy,
December 2019
- Music, Science and Technology: DISSCO, an Interdisciplinary
Project with Rishabh Rajagopalan, Xuqing Sun, Shenyi
Wang, Proc.Music and Sciences 2019 Symposium,
Istambul, Turkey, April 2019.
-
Communicating a World View: figer, a Manifold Composition
,
SBCM 2017, 16th. Brazilian Symposium on Computer Music (Sao Paulo, Brazil,
September 2017)
-
Composition as an Evolving Entity, an Experiment in Progress
,
Proc. 2016 ICMC Int'l Computer Music Conference (Utrecht,
The Netherlands, September 2016)
-
Emerging Composition: Being and Becoming, an Experiment in Progress
,
2016 SMC Int'l Sound and Music Computing (Hamburg, Germany,
September 2016)
-
Composition as a Complex Dynamic System; a Proposed Approach
and Implementation
,
Workshop on Computer Music and Audio Technology (WOCMAT), National
Chiao Tung University, Taiwan, November 2015
-
figer, A Song Without Words: Structure, Narrative, World View
,
2014 INTIME Symposium, Coventry, United Kingdom, October 2014
-
Composing with Sieves: Structure and Indeterminacy In-time
, ICMC 2013, Perth, Australia, August 2013
- Continuity and Narrative in Musical Composition: Are
They Necessary ?. SEAMUS 2011 National Conference,
University of Miami, January 2011.
- Conceiving Music Today: Manifold Compositions, DISSCO,
and Beyond . 11th WSEAS International
Conference on Acoustics & Music: Theory & Applications (AMTA '10),
"G. Enescu" University, Iasi, Romania, June 2010. WSEAS Mechanical
Engineering Series.
- Automatic Notation of Computer-generated Scores for
Instruments, Voices, and Electro-acoustic Sounds (with
Andrew Burnson and Hans G. Kaper) Proc. 2010 Int'l Computer
Music Conference (New York/Stony Brook, NY, June 2010).
- SoundMaker: A Web-based Teaching Tool for Sound
Design (with Rayan Cavis and Volodymyr Kindratenko)
Proc. 2009 Int'l Computer Music Conference (Montreal,
Canada, August 2009).
- Manifold Compositions: Formal Control, Intuition, and
the Case for Comprehensive Software. Proc. of the Int'l
Computer Music Conference, Copenhagen, Denmark, August 2007.
- DISSCO: a Unified Approach to Sound Synthesis and
Composition (with Hans G. Kaper). Proc. of the Int'l
Computer Music Conference, Barcelona, Spain, September 2005
- Loudness Scaling in a Digital Synthesis Library
(with Jesse Guessford and Hans G. Kaper). Proc. of the Int'l Computer
Music Conference, Miami, Florida, November 2004.
- Implementation of loudness in a digital instrument
(with Hans G. Kaper). Invited talk, Acoustical Society of America,
Chicago, May 2001.
- DISCO - an Object-oriented System for Composition
and Sound Design (with Hans Kaper and Jeff M. Wright).
Proc. of the Int'l Computer Music Conference, Berlin, Germany,
August 2000.
- Formalizing the Concept of Sound
(with Hans Kaper). Proc. of the Int'l Computer Music Conference,
Beijing, China, October 1999.
- Data Sonification and Sound Visualization
(with Hans Kaper and Elizabeth Wiebel). Computing
in Science and Engineering, July/August issue, 1999.
- An Abstract Approach to Music (with
Hans Kaper). Preprint ANL/MCS-P748-0399.
- Manifold Compositions, Music Visualization, and
Scientific Sonification in an Immersive Virtual-Reality
Environment. (with Hans Kaper) Proc. 1998
Int'l Computer Music Conference, Ann Arbor, MI.
- High-Performance Computing, Music Composition,
and the Sonification of Scientific Data.,
(with Hans Kaper and Elizabeth Wiebel), Argonne preprint
ANL/MCS-P690-0997.
- Perceived Equal Loudness of Complex Tones: a
Software Implementation for Computer Music Composition
(with Hans Kaper and David Ralley), Proc. 1996
Int'l Conf. in Music Perception and Cognition
(Montreal, Canada; August 1996), pp.127-132.
- For an Intelligent Use of Computers in Music
Composition, Proc. 1995 Int'l Computer
Music Conference (Banff, Canada; September 1995),
International Computer Music Association, San Francisco,
CA, 1995, pp. 9-12.
- Additive Synthesis with DIASS_M4C on Argonne
National Laboratory IBM POWERparallel (SP)
(with hans Kaper, David Ralley, and Juan Restrepo), Proc.
1995 Int'l Computer Music Conference (Banff,
Canada; September 1995),International Computer Music
Association, San Francisco, CA, 1995, pp. 351-352.
- MP1 Revisited: AGA MATTER for Piano
and Computer Generated Tape, Proc. 1994 Int'l
Computer Music Conference (Aarhus, Denmark; September
1994), International Computer Music Association, San Francisco,
CA, 1994, pp. 3-6.
- A Compositional Approach to Additive Synthesis
on Supercomputers, Proc. 1992 Int'l Computer
Music Conference, (Univ. of California,San Jose,
California; October 1992), International Computer Music
Association, San Francisco, CA, 1994, pp. 394-395.
- Advanced Computer Technology in Composition and
Music Notation: Manifold Compositions, paper
at the DANA New Music Festival,
(Youngstown Univ., Youngstown Ohio, April 1990).
- Computer Music Courses Using Supercomputers
(with Robin Bargar, Ben Cox, and David Kelley),
Proc. 1990 Int'l Computer Music Conference ,
(Glasgow, Scotland; September 1990), International Computer
Music Association, San Francisco, CA, 1990, pp. 39-42.
- A Supercomputer Environment for Music Composition
, paper at the Third Biennial
Conference Teaching Humanists Computers,
(Fordham University, June 1990).
- The Computer, a Composer's Collaborator,
LEONARDO Journal of the International Society for the Arts,
Sciences, and Technology, vol.22, no. 2, 1989, pp. 189-195.
- (Super)Computer Produced Musical Manifolds,
Contemporary Music Forum; Proc. Bowling
Green State University New Music and Art Festival 10 Paper
Sessions, Vol.1, (Mid-American Center for Contemporary
Music, College of Musical Arts, Bowling Green State Univ.,
Bowling Green, Ohio; 1989), pp. 23-26.
- Manifold Compositions - a
(Super)computer-assisted Composition Experiment in Progress
, Proc. 1989 Int'l Computer Music Conference
, (Ohio State Univ., Columbus, Ohio; November 1989),
International Computer Music Association, San Francisco, CA,
1989, pp. 324-327.
- Composing with Computers, paper
at the Computers in Music Research conference,
(University of Lancaster, England; April 1988).
- A Non-traditional Approach to Composition:
CUNICULI, paper at the 8th Int'l Conference on
Computers in the Humanities, (Univ. of South
Carolina, Columbia, S.C.; 1987).
- MAIDEN VOYAGES - a Score Produced with MP1,
Computer Music Journal, vol. 11, no. 2, M.I.T. Press
Journals, Cambridge, MA., 1987.
- MAIDEN VOYAGES - a Score Produced with MP1,
Proc. 1985 Int'l Computer Music Conference,
(Vancouver, B.C., Canada; August, 1985),
International Computer Music Association, San Francisco, CA,
1989, pp. 259-265.
- Solving Specific Compositional Problems with MP1
, Proc. 1981 International Computer Music
Conference, (North Texas State Univ., Denton,
Texas; November 1981), International Computer Music
Association, San Francisco, CA, 1989, pp. 101-109.
- MP1, a Computer Program for Music Composition
, Proc. Second Annual Music Computation
Conference, (Univ. of Illinois, Urbana, Illinois,
November 1975), pp. 68-82.
- Proposals for a Music Formalization,
unpublished, 1972.